Please note: Special Collections will be closed on Thursday, July 4, 2019 and Friday, July 5, 2019. The University Libraries, including Special Collections, will be closed on July 4 in observance of the Independence Day holiday.
Newman Library will reopen at 7:30am on Friday, July 5, 2019
Special Collections will reopen at 8:00am on Monday, July 8, 2019.
It’s summertime in Blacksburg and at Virginia Tech Special Collections, I always think that’s going to be my two-ish months to catch up on the rest of the year’s projects. Sometimes it works, sometimes it doesn’t–inevitably, I also end up launching new projects or initiatives. This summer, one of those new projects is working on our backlog of digital materials. Special Collections has been digitizing collections for reference and research long before we had our current online platform. Some images lived on our old website, some lived (or still live) in Imagebase, and some never made it as far as the world-wide web. So, this summer, we’re making more of that possible. With the help of a student, we are taking some of these digitized collections, creating metadata, and adding them to our digital site! Here’s just a taste of some new items:
First up, the Norfolk & Western Railway Menus, c. late 1940s-1960s? (Ms2013-080). This collection includes a handful of railroad menus from Norfolk & Western passenger trains. Below are a beverage menu, a dinner menu, and a blank patron check. Note the “Apple Pie (baked on car)” on the dinner menu–train travel these days has changed a little!
Front cover of the “Beverages” menu, Norfolk & Western Railway Menus, c. late 1940s-1960s? (Ms2013-080)
“Beverages” menu, Norfolk & Western Railway Menus, c. late 1940s-1960s? (Ms2013-080)
Front cover of “The Cavalier” dinner menu, Norfolk & Western Railway Menus, c. late 1940s-1960s? (Ms2013-080)
“The Cavalier” dinner menu,Norfolk & Western Railway Menus, c. late 1940s-1960s? (Ms2013-080)
Sample of guest check, Norfolk & Western Railway Menus, c. late 1940s-1960s? (Ms2013-080)
Second, the letters of Joseph T. Harris to his sister, Molly Swope. Harris served with the 12th Regiment, Ohio Infantry, during the Civil War. This collection contains four letters written from parts of western Virginia between August 1861 and February 1862. Below is the letter from November 23, 1861.
Letter, Joseph T. Harris to his sister, Mollie Swope, November 23, 1861 (Ms2018-016)
Harris was particularly around the Kanawha Valley western Virginia and he writes to his sister about his regiment’s actions there, as well as camp life. He tells her “Harris describes his rations as being good and lists what he is being issued and getting food from the locals. ‘We have all theas things, besides what we can steal witch is a good deal. Steal did I say, well I will have to take that back for us boys have quit stealing and took to takeing a good menny things without leave.'” You can view the full collection and the finding aid online.
Last up, for the moment, is the Yonson (Johnson) Family Collection (Ms2013-020). The Yonson family was based in Wythe County, Virginia, at the end of the 18th century. The collection includes family receipts, estate bills, tax documents, and some other family papers. It’s worth noting that you’ll see variations on the spelling of the family’s name throughout the collection, though research indicates that later generations of the family eventually settled on “Johnson.”
Receipt of payment by Baltzer Yonson, 1803. This is the earliest item in the collection and is one of several handwritten receipts on scraps of paper.
Receipt for tax on land from Wythe County sheriff, 1852. This is a partially printing item that would have been customized for tax-payers throughout the county. Yonson’s taxes were based on his land ownership.
Yonson Estate Allocation, 1859. Baltzer Yonson, the head of the family, died around 1850 so it’s unclear if this is his estate being settled some years later, of that of another family member.
Summer is also the time I catch up on student processing work. We would be lost without the help of our amazing student workers in Special Collections. Often times, they help organize and describe collections faster than I can get them finished and posted online, so I’ve also been spending time on that. Here are a few of my favorite newly processed manuscript collections:
Bartender’s Cocktail Mixing Notebook [San Francisco, CA], n.d. (Ms2019-002). This collection includes a Bartender’s Cocktail Mixing Notebook [San Francisco, CA] with typed cocktail recipes and directions for their creation . Different sections include lesson plans for specific types of drinks, suggesting this was used in a bartending school or for bartending instruction. Some pages have handwritten notations or illustrations. Finding aid available online.
Herschel A. Elarth-Charles S. Worley, Jr. Architectural Firm Drawings, 1955-1961, undated (Ms2019-036). Related to both the personal and professional papers of Elarth and Worley, who were Virginia Tech faculty and architectural firm partners, this collection includes drawings from selected local projects. Finding aid available online.
Jaffe-Lankes Family Correspondence, 1930-1942, 1980-1985 (Ms2019-014). This collection contains two main sets of materials: Correspondence between Louis I. Jaffe and J. J. Lankes from 1930 to 1942 and correspondence between Alice Jaffe (Louis’ widow) and J. B. Lankes (J. J.’s son) from 1980 to 1985. In addition, there is a small folder of notes and letter excerpts created by J. B. Lankes in the early 1980s. We processed this collection as part of the Sherwood Anderson online exhibit that launched in April 2019. Finding aid available online.
Piedmont Tuberculosis Sanatorium (Burkeville, Virginia) Collection, 1926-1971 (Ms2019-009). The Piedmont Tuberculosis Sanatorium (Burkeville, Virginia) Collection includes materials from 1926-1971. The collection contains information relating to the operation of the sanatorium from 1918-1965. The collection contains administrative papers, published works of doctors, ephemera, and images. Finding aid available online.
We’re always processing new materials and making new materials online, so we always encourage you to check out our resources, but since this is on my mind lately, it seemed a good time to do a round-up/reminder. You can usually view our most recently posted finding aids online in upload order and see our most recently collections on our digital collection site’s “Browse Collections” page.
After several years, I recently finished processing the Smithey & Boynton, Architects & Engineers Records, Ms1992-027. Partner in the firm, Kenneth L. Motley purchased the firm in 1992 and donated the firm’s historical records in 1992 and 1994. About 30% of the collection was made available before I arrived at Virginia Tech in 2014, but the oversize, rolled architectural drawings and blueprints were not (although I must thank my predecessors for labeling and locating the rolls, which helped me significantly). Over the past four years, I arranged, described, and boxed up nearly 1,500 project drawings, totaling over 220 cubic feet and including over 920 boxes. (This isn’t even the largest collection we have in Special Collections!)
Louis Phillipe Smithey and Henry B. Boynton formed the Smithey & Boynton partnership in 1935. Smithey & Boynton built and renovated thousands of buildings throughout the state of Virginia. They designed Lane Stadium and several other buildings on the Virginia Tech campus, buildings for the Norfolk & Southern Railway (now Norfolk Southern), and the Lyric Theatre and Armory Building in Blacksburg. The firm became best known for building public schools, even using the same basic layout for numerous schools. They had nearly 150 school design commissions from 1945 through 1953 in at least 19 counties and 10 cities in Virginia.
Drawings of the Armory Building in Blacksburg, designed by Smithey & Boynton:
Louis Phillipe Smithey (1890-1966)
Smithey graduated from Randolph-Macon College in 1910, before attending both Virginia Polytechnic Institute and Massachusetts Institute of Technology. He was an engineer for Virginia Bridge & Iron Company from 1916 to 1920. He then opened his own practice, before partnering with Matthews H. Tardy, as Smithey & Tardy from 1922 through 1932. Smithey again had his own practice, occasionally working with Henry B. Boynton, before they partnered as Smithey & Boynton in 1935. Smithey was a registered architect in Virginia and West Virginia, a fellow of the American Institute of Architects (AIA), and served as president of the Virginia chapter of the AIA in 1940. He also served in the U.S. Army during World War I and World War II. Smithey married Dorothy Terrill in 1938, and they had one daughter.
Photos and drawings of the Lyric Theatre in Blacksburg, designed by the firm of Louis Phillipe Smithey:
Henry B. Boynton (1899-1991)
Boynton graduated from Virginia Polytechnic Institute in 1923, before taking classes at the University of Illinois (now the University of Illinois in Urbana-Champaign). He worked for Carneal & Johnston, Architects & Engineers, from 1924 to 1928. (We previously wrote about Carneal & Johnston on this blog in “A New Collection and a New Look at Virginia Tech’s Architectural Style.”) Boynton joined Smithey’s practice in 1929, becoming a partner in Smithey & Boynton in 1935. He was a registered architect in Virginia, West Virginia, North Carolina, and Pennsylvania; held several positions of the Virginia chapter of the AIA; and served as the Governor’s appointee to the State Registration Board for Architects, Professional Engineers, and Land Surveyors from 1962 to 1972. Boynton also served on the VPI Alumni Board of Directors from 1969 to 1979 and the VPI Education Foundation, Inc.’s board from 1978 to 1982. He also served in the Army Corps of Engineers during the World War II. (Special Collections also has the Henry B. Boynton Papers, Ms1992-002, which include some records from Smithey & Boynton.)
Drawings of the Norfolk & Southern Railway’s General Storehouse in Roanoke, designed by Smithey & Boynton:
About two months ago, while staffing the front desk at Special Collections, I took an interesting phone call. A woman called to ask if we really had copies of Ragsdale’s Original Scientific Course of Candy Manufacturing Instructions and, if we did, could she get copies. If I remember correctly, she said that she had found out that Virginia Tech was one of only two libraries that held these materials. The catalog showed that we did, indeed, have it, but since she was interested in obtaining copies, I asked if she would hold the line while I went to retrieve it. “It” turned out to be ten sets of mimeographed sheets, each with a well-designed heavy paper cover and held together by two grommets at its top. “It” also turned out to be something I’d never seen while working here (therein lies the fun, as I have often said before).
I got back to the phone and described what I had in my hands. She was overjoyed. I said that we were talking about approximately 90 scans—not a problem—but that the grommets could be a problem. It would be impossible to scan the sheets without unbinding each set of instructions. Typically, we would want to “remove the metal,” but I would have to see if the grommets could be safely removed without damaging the documents. Ten years as an archivist and I’d never removed grommets. Surprise, surprise!
“I hope you’ll see what you can do,” she said.
I saw no copyright notice, but each of the folders/volumes carried a big WARNING:
I was not too worried about the threat of prosecution from Mr. Ragsdale, and even though the item’s cataloging gave its pub date as 1930 (Worldcat says, “approximately 1930?”), I was more than willing to scan the entire set for our patron . . . if I got past the grommets. That was before I heard the story behind the request.
She was calling from Nebraska. It was the end of March. Her house had been completely flooded in the history-making flood that had occurred about 2 weeks before. These booklets had been in her family for a couple of generations and were cherished. More than that, they were part of her family’s story. And, they were gone. She specifically mentioned the recipe for fruit cake fudge—a great favorite.
That was more than enough for me, and I told her I would get back in touch with her when I knew more. A couple of days later, I reported that the grommets were out and the scanning had begun. I thought I had heard there was a specialty tool for removing grommets, but, in the end, a small pair of wire cutters (used primarily not to cut, but to bend the metal) and an equally small needle-nosed pliers did the trick.
Of course, as I was scanning the materials, I became more interested in their origin. First, Worldcat does report that only Virginia Tech and Rutgers have these materials. (We acquired them in 2013, not that long ago. One of our major collecting areas is the History of Food and Drink.) But what of these lessons, and what might we find out about W. Hillyer Ragsdale?
The lessons were not written for folks who wanted, occasionally, to make candy, but were for entrepreneurs or established small business folks who wanted to make and sell various kinds of confections. The cover page of the booklet titled, Beginner’s Work Sheets and Special Supplement . . . declares:
On page 2 of the same set, under the subhead, Selling Plans, Ragsdale writes: “As you are perfectly aware, the market for candy is absolutely unlimited. Its sale is no longer confined to the corner confectionery store—but department stores, tea rooms, grocery stores, drug stores, cafeterias, office buildings, road stands, amusement parks, fairs, and hotels all sell tremendous quantities.” Ragsdale includes lots of practical advice for the business of selling confections in this folder, everything from buying attractive boxes (cheaply) for display and packaging, to staying up-to-date by reading the appropriate trade papers. As for the recipes in this lesson, they include Almond Crunch (“a delightful nut piece—very popular everywhere. Usually sells for 80¢ to $1.00 per lb. retail.”); Haystack Goodies; Maple, Mocha, Pistachio Fudge, and the curious Chop Suey Candy (“take a popcorn crispette, but add roasted peanuts and concoanut . . . more corn and cocoanut than peanuts”).
Our patron from Nebraska told me that her family had these in the 1920s, that her grandmother had passed them down to her mother. Certainly, as early as October 1923, Ragsdale’s ads appear in the Newsstand Group advertising supplement to Smart Set: A Magazine of Cleverness, then edited by H.L. Menken and George Jean Nathan. In fact, In his autobiography, My Life as Author and Editor, Menken writes about the introduction of this kind of advertising to his posh, literary magazine:
“Inasmuch as all the other members of this group [Newsstand Group] were such dubious pulps as Snappy Stories,Breezy Stories, and Young’s Magazine, Nathan and I were perturbed more than gratified, and our doubts were not allayed when we saw the advertisements that began to come in. They included everything in the shabby line save lost manhood and bust developer ads, as we had to take a pretty severe kidding from readers and friends.”
The ads in Smart Set started with a couple of pages, but by December 1922, there were 23 pages of advertisements. Look to the November 1923 set of ads, and there is W. Hillyer Ragsdale at Drawer 400, East Orange, N.J. proclaiming:
“GO INTO BUSINESS FOR YOURSELF,” right there between “Don’t Wear a Truss” and a bust developer ad! Menken, in the same passage quoted above goes on to write of that December 1922 supplement, “There were several ads headed “Send No Money” and half a dozen or more announcing ways to make fortunes by spare-time work at home! Ragsdale was right there.
So, by 1923, Ragsdale was running ads enticing folks to “Establish and operate a “New System Specialty Candy Factory,” using some of the same language that appears in our sets of lessons. Also by 1923, Tools and Machinery for Confectioners by W. Hillyer Ragsdale, The Candy Specialist, becomes available. Here are the first three pages, including a price list (From the Alan and Shirley Brocker Sliker Culinary Collection, Michigan State University Libraries.)
Tools and Machinery for Confectioners
By W. Hillyer Ragsdale
with April 1923 price list
Here’s his ad from the November 1929 issue of Popular Mechanics, promising enormous profits:
Throughout the 1920s, Ragsdale’s business must have grown. Perhaps the 10 sets of lessons were available at once; perhaps they were developed over a few years. We do know that Ragsdale was born on a farm in Lithonia, DeKalb County, Georgia in 1876. According to census data, in 1900 he was living at home and employed as a clerk in a drugstore in nearby Kirkwood, Georgia. By 1910, he had relocated with his wife, Wilhelmina (Willie) to East Orange, N.J. where he was working as a traveling salesman possibly for a department store. The 1920 US census lists his occupation as “Proprietor,” his status as “Employer,” and the “Industry” in which he was engaged as “Jobber Confectioner Supply House.” At the very least, by 1920 the roots of his candy-making endeavors were firmly in place. A notice on the Antiquarian Bookseller’s Association website dates the set of lessons as “ca. 1920s?”
In David Lawrence Pierson’s History of the Oranges to 1921, Vol. 4 (Orange, NJ: Lewis Historical Publishing Co. 1922), Ragsdale is reported to have come to East Orange in 1908, where he established and built his “ large business as a manufacturer and jobber of confectioners’ supplies.” Pierson also writes that, as of 1922, Ragsdale was a director of the Lackawanna Building and Loan of East Orange. We can assume that his business was quite successful, at least through the early part of the depression. In 1930, Ragsdale is listed in the census as manager of his Confectionary Supply Company. By 1940, however, at age 63, he was employed as an investigator for the New Jersey State Beverage Tax Department. William Hillyer Ragsdale died in East Orange in 1957, but the traces of his candy-making business can still be found quite easily. It is not at all hard to find some of his equipment, for example, especially his candy thermometers, on eBay.
But the sets of instructions in candy-making for profit are the trace that continue to hold significance for our patron in Nebraska. After we’d gotten the scans to her, about three weeks after our phone call, I asked her if she would send me a bit of her family’s story in connection with these sets of instructions; also if I might retell that story in our blog. Here’s what she wrote (copied with permission):
“My grandmother passed them down to my mom. So, since the 1920’s. They were really prized. When my mom’s family was young, her father came down with tuberculosis of the liver. That knocked him out of working. My grandmother, being an excellent cook to seven children, and having a brother that owned an ice cream store in Massachusetts, set out to do the confections. They were sold through the brother’s store and during the holidays, the kids would go door to door. Then the depression happened and finding work was even more hard to do. They kept their business going. They were hard workers. They rallied around my grandfather. There were four boys. When the war broke out, they left to serve their country and of course, they were no longer involved in the candy making business.”
She also wrote this:
“We’re still under water where the farm is. It’s going to take a long time . . . but, we are hardy people and will probably just rebuild. . . . I’m going to be sharing them with Mom on Friday. I haven’t told her that I got them replaced. I know what this means to her.”
A little over a month after the flood, still under water. That made me think about a lot of different things. After considering how horrific it must be, how staggering to have such an event occur and how more common weather events of this historic proportion are becoming, I thought about how short our news cycle is. Perhaps it’s just because we are east-coasters, but we stopped hearing about midwest flood waters about a day or two after they first hit. Every big rain in April added to the disaster. Incredible.
But then, hearing about her plan to surprise her mom with the material Special Collections was able to provide, well, I was glad to have been able to help in a very small way. I’ve probably never felt so good about providing a patron with scans from our collections.
Oh yes, and she again mentioned the fruit cake fudge. If you make it, she says, you have to add some peach Schnapps to it! I’m guessing this is it:
Insane Asylums have been a part of horror movies and ghost stories for decades. From shows like American Horror Story to Shutter Island, there are many portrayals of what it was like to be treated for mental illness in the 1800-1900s. However, when it comes to the real story about old asylums, not all institutions were set up for jump scares.
The Western Lunatic Asylum was founded in 1825 by the Virginia State Government. It was the second mental health facility established in the Commonwealth and took patients that could not function in society but had hope of recovery. The first director of the hospital was Dr. Francis T. Stribling, who was also the first graduate of the University of Virginia Medical School. Stribling believed in humane treatment for those suffering from mental illness and applied the concept of “Moral Medicine” to his practice. Appointed in 1836, Stribling served as the director of the asylum until his death.
The Western Lunatic Asylum collection currently consists of an annual report from the asylum from 1903 and numerous letters written to Stribling between 1840 and 1868. This collection gives you an insight into what everyday life was like for the patients and family who were connected to this institution. It strips away all the haunted hallways and creaky doors and tells the stories of brothers, sisters, parents, and children whose loved ones are under Stribling’s care. It also gives you the chance to see into the mind of patients who were treated at the asylum when they write back to Stribling to discuss their condition.
The annual report (pictured above) introduces this collection perfectly. Situated in the first folder of 14, it acts as an exposition chapter, setting up the scene. While the report is from a few decades after Stribling’s death, it helps you understand how they ran an institution like this. Some of my favorite highlights of the report are the section titled Occupation, Recreation, and Amusements which talks about how they “divert the disordered minds of [their] patients again into normal channels” by alternating their schedules between jobs around the asylum and entertainment like weekly dances, concerts, and games. The statistical tables are also fascinating, detailing information about how many people were admitted, what they were admitted for, and how long it took to cure those who recovered.
As mentioned above, there are two main types of letters in the collection: The Families and The Patients.
The letters from families range from those appealing to the doctor to admit a new patient to those asking about the status of current patients (Above). Many of those with family members in the asylum also mention sending money or clothes. Letters from former patients are primarily written to Stribling to update him on their status after being released from the hospital. Some are thriving and thankful, but most seem to write the doctor when they are experiencing symptoms of relapse like the one pictured below.
There are also a few business letters like the one below that informs Stribling of a woman that had “been examined according to laws & found to be a fit subject for the Lunatic Asylum at Staunton.”
This collection really feels like a window into the past. After months of scanning and transcribing these letters, it feels living in a way, and that isn’t just because we find new letters to add every other month causing it to continuously grow. Each time a new one comes in it’s a privilege to be able to read them and add that person’s story to the rest of the collection.
The title of this occasional series may be something of a misnomer, as the materials discussed aren’t hidden at all but instead are readily located through existing online discovery tools. Still, though adequately described for retrieval, these items may remain hidden to interested users who overlook them because they’re housed in such unlikely locations.
Any manuscript repository of significant size or age is bound to have its share of outliers, collections that simply don’t fit into any of the repository’s primary focus areas but somehow find their way into the repository, through one route or another. With our collection focuses here in Special Collections at Virginia Tech being well known, researchers recognize us as a go-to resource for primary and secondary sources in several subject areas, including university history , women in architecture, the history of food and drink, local and regional history, and the Civil War in Virginia. The casual user, however, may be surprised to learn that a number of our collections don’t relate to any of these things. Many of these are legacy collections, materials that were acquired before the department narrowed its scope to a few well-defined focus areas.
And that explanation brings me today to write about an item that we simply call the Wyoming Photograph Album (Ms2017-026), which had been housed within the department for a number of years before recently being made more widely accessible through the creation of an online finding aid.
Measuring 11 x 12 inches and containing 75 photos, the album documents the journey of a group of unidentified men—most likely a surveying team—through central Wyoming around the turn of the 20th century. A photo on the first page of the album, bearing the stenciled title “A Trip Up the Sweetwater River,” explains the event commemorated by the collection.
On the pages that follow, the album’s anonymous creator has pasted photos that chronicle a journey that was deemed of sufficient personal significance to be memorialized.
The album’s first few pages include photos of several public buildings and private residences in Cheyenne. While Cheyenne isn’t on the Sweetwater River, the city was likely the departure point for the group’s journey. From Cheyenne, the group made its way north to Glendo, then westward to Casper, and eventually south to the Sweetwater, with a photographer documenting the landmarks of both the natural and built environments throughout the trip.
Included among the photos are images of ranches, livestock, dams, rock formations, rivers, and mountains. Together with these sights, the scrapbook records the surveyors at work and hints at the hazards of early travel across the plains of Wyoming.
Elsewhere, the scrapbook records the simple pleasures of camp life, as in the chow-time photo below, captioned “Camp Sweetwater.” The inclusion of a National Biscuit Company crate in this photo allows us to somewhat narrow the date of the photograph, as National Biscuit (today better known as Nabisco) was formed in 1898.
The team eventually made its way into Wyoming’s gold- and iron-mining region, and several photographs document the area’s mining enterprises and settlements. The level of clarity in some of these images is remarkable, and the photos provide a glimpse into early development in the area.
The scrapbook ends, as we may assume the journey also did, near the Wind River Mountains in western Wyoming. Unfortunately, the final photograph, captioned “A Remembrance of the Past” and which may have provided some clue as to the identity of the scrapbook’s creator, was removed.
At least one photograph in the album is attributed to C. C. Carlisle, and a little online digging led to information on a Charles C. Carlisle (born 1876). His biographical sketch in I. S. Bartlett’s History of Wyoming (1918) notes that Carlile, a civil engineer, worked in various capacities connected with waterworks and civil engineering during the first two decades of the 20th century. An article in the June 16, 1904 edition of the Wyoming Tribune mentions that a survey of the central part of the state being conducted by assistant state engineer Carlisle had measured the Sweetwater River at Devil’s Gate. It seems safe to conclude that this is the survey documented by the photo album. Further digging by an interested researcher might reveal whether Carlisle compiled the album.
Outlier collections sometimes contain outliers of their own. Tucked into the front of this album, consisting entirely of Wyoming scenes, is a photograph of a man on horseback at Gibson Park, Great Falls, Montana in 1899. The man is identified as Wallace Coburn.
Wallace David Coburn (1872-1954), a Great Falls rancher who gained national renown as a cowboy-poet through publication of his Rhymes from a Round-up Camp, later operated a movie theatre. The theatre serving as his springboard into the field of motion-picture entertainment, Coburn established his own film studio, Great West Film Company. Great West appears to have produced only one film “The Sunset Princess,” based on Coburn’s own poem, “Yellowstone Pete’s Only Daughter.” The would-be mogul later appeared in a few films produced by others, most notably the silent anti-German propaganda film, “The Kaiser, the Beast of Berlin.” Why Coburn’s photo appears in this album devoted to a survey of the Sweetwater River will likely remain unknown.
The Wyoming Photograph Album would of course be of interest to anybody researching irrigation and development along the Sweetwater River, early Cheyenne architecture, and the region’s mining history. (Astute researchers could undoubtedly make some connections that I haven’t even considered.) So while this stand-alone collection may seem a misfit of sorts housed here among our collections, its potential value to interested researchers makes it worth a little extra promotion on our part. The album can also serve as a reminder to researchers in other subject areas not to overlook far-flung resources when searching for relevant materials.
“Holding the Light,” is one of two exhibits that will be displayed on the second floor commons in Virginia Tech’s Newman Library as the university observes its 2019 Day of Remembrance.
The exhibit, on display Thursday, April 8 through Tuesday April 18, is a collaboration between the University Libraries and Student Engagement and Campus Life and honors those lost and injured on April 16, 2007. It features items of condolence from around the nation and world.
Among the artifacts on display will be an eight-pointed star quilt from St. Labre Indian School in Ashland, Montana, large banners signed by people in Seoul, South Korea, a work of calligraphy from Japan based on the Buddhist Heart Sutra, and a painting by students at Rappahannock County High School. The exhibit will also include items from the State University of New York Morrisville, Florida State University, Virginia Tech Graduate Arts Council, Hillel, Living Buddhism, and Unitarian Universalist Congregation of the New River Valley.
A display in the windows of Special Collections on the 1st floor of Newman Library will also reflect the “Holding the Light” theme. Most of the items on display were either left at the Drillfield memorial in the aftermath of April 16th or from vigils at other places in remembrance of the victims and in honor of the survivors.
The second exhibit, “A Community of Learners, a Legacy of Achievement,” will feature photographs of each of the 32 victims and a selection of books that reflect their individual disciplines and interests.
In addition to these two exhibits, a small garden space for quiet reflection outside of Squires Student Center’s Old Dominion Ballroom will be available to the community. The garden features a large inscribed rock received from Itawamba Community College in Fulton, Mississippi, and stones from previous April 16 Perspective Gallery Exhibitions. Itawamba Community College planted a dogwood tree in honor of the victims, and this garden also includes a dogwood tree.