Have a Happy Halloween with Edward Gorey in Special Collections

Happy Halloween, Ghouls and Ghosts!

Last week, I was listening to the Stuff You Missed in History Class podcast’s recent episode on Edward Gorey, and I wondered if Virginia Tech University Libraries had any of his work. Fortune looked brightly on me – not only does the Libraries have numerous texts, but Special Collections actually has three rare books illustrated by Gorey! And since it’s Halloween, I decided to make this week’s post about a modern master of the macabre, author and illustrator Edward Gorey!

My first exposure to the work of Edward Gorey (1925-2000) was from the opening sequence of PBS’s Masterpiece Mystery!, which has been used since 1980, but he may be best known for his book, The Gashlycrumb Tinies (1963), an alphabetical book about the deaths of 26 children. Gorey studied at the Art Institute of Chicago, before joining the U.S. Army during World War II and eventually graduating from Harvard in 1950, where he befriended the poet Frank O’Hara. They, along with other Harvard friends, founded the Poets’ Theatre in Cambridge. In 1953, Gorey began working at the Art Department of Doubleday, illustrating numerous classics, and that same year Brown and Company published his first book The Unstrung Harp. He published his first anthology Amphigorey in 1972, and the next designed a set and costumes for a Nantucket production of Dracula (see more below). In 1979, Gorey moved to Cape Cod and became involved in local productions, even writing his own plays and musicals, and he lived there until his death in 2000.

Let’s take a look at the earliest book we have, Son of the Martini Cookbook by Jane Trahey and Daren Pierce, illustrated by Edward Gorey and published by Clovis Press, 1967. The book includes a handful of food recipes, ordered by how many martinis you’ve had and thus of increasing simplicity. (However, I recommend cooking before you drink, to be safe!) The authors include fictional biographies, but are likely advertising executive and author Jane Trahey (1923-2000), who’s book Life with Mother Superior was adapted into Ida Lupino’s film The Trouble with Angels, starring Rosalind Russell and Hayley Mills, and author and interior designer Daren Pierce (1922-1984), who founded a store dedicated to needlepoint designs, according to the New York Times. Clovis Press was a bookstore in New York, which closed its doors in 2006.

Next is The Rats of Rutland Grange by Edmund Wilson with drawings by Edward Gorey and published by Gotham Book Mart, 1974 (original in Esquire Magazine, December 1961). A long poem of rhyming couplets by Wilson, the story is about rats who steal the family’s food and destroy their things. On Christmas eve to kill the rats, the children of Rutland Grange put out poisoned chocolate, which bodes poorly for dear, old Santa (spoiler: don’t worry, Santa survives to live another Christmas!) The book indicates only 1,000 copies were printed, including 100 signed by the authors and 26 specifically for Gorey and Gotham Book Mart. (Sadly, our copy is not signed.) Edmund Wilson (1895-1972) was a literary critic and author. The Gotham Book Mart was a New York City bookstore, owned by Gorey’s friend Andreas Brown, who heavily advertised Gorey’s work and published several monograph, according to the New York Times.

Finally, we have Dracula: A Toy Theatre, sets and costumes designed by Edward Gorey (Charles Scribner’s Sons, 1979). This books contains drawings based on Gorey’s designs from the 1979 Broadway production of Dracula, a revival of the play by Hamilton Deane and John L. Balderston and based on Bram Stoker’s novel. The intention is for the book owner to produce the play by cutting out the costumes and sets, using the book as the backdrop for the set. It also lays out a synopsis of the play and cast. According to the Internet Broadway Database, this production of Dracula ran from 1977 to 1980 and earned Gorey the 1978 Tony Award for Best Costume Design and was nominated for Best Scenic Design. Frank Langella portrayed Dracula, earning his own Tony nomination for the 1978 Best Actor in a Play award.

I hope you enjoyed this look into the works of Edward Gorey, and remember that you never know what awesome, spooky works may be in Special Collections!

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University seals and logos

The university has a lot of ways to identify itself quickly: a university shield and seal, a university logo and athletic logo, a motto (Ut Prosim, “That I May Serve”), a tagline (“Invent the Future”), and many other icons that signify who we are. But these have all changed over the years, along with the official school name and nicknames. I’d like to share with you just some of the items from the University Archives, which show the different depictions of our shield, seal, and logos.

From our founding in 1872 until March 1896, the university was called Virginia Agricultural and Mechanical College. Below are two photos of students in athletic gear with sweaters that use different versions of the VAMC initials, one with a large V and AMC surrounding it and one with a large C and VAM inside of it.

The VAMC seal below has symbols for the university, some that continue into the current Virginia Tech seal. The VAMC seal depicts a ribbon with the name; above is the “lamp of learning,” a common symbol for an institution of higher education, sitting atop two books; and below are two quill pens. Within the ribbon are several objects, including a bail of hay, a cotton plant, surveying instruments, rifle with bayonet, a book, a wheel, and a plow.

Virginia Agricultural and Mechanical College seal
Virginia Agricultural and Mechanical College seal

In March 1896, the university’s name changed to Virginia Agricultural and Mechanical College and Polytechnic Institute, which was often shortened to Virginia Polytechnic Institute or V.P.I. (In 1944, this shortened form became the school’s official name.) At the same time, President John M. McBride and his son decided to develop a motto (Ut Prosim), a coat of arms, and a new seal, which includes the motto and coat of arms.

Since this time, the university seal has included the “lamp of learning” and a ribbon of the university’s name, both carried over from the VAMC seal, and the coat of arms, split into four quadrants. The upper left quadrant is the obverse side of the Commonwealth of Virginia seal, an Amazon woman representing the Roman virtue Virtus defeating royal tyranny, a symbolic reference to Virginia’s involvement in the American War of Independence. The upper right shows the surveyor’s instruments, another carryover from the VAMC seal, to illustrate the university’s commitment to engineering. The bottom left seal is a chemical retort and graduate, an addition from the VAMC seal because of the university’s new (as of 1896) commitment to scientific studies. Finally, the bottom right portrays a partially husked corn cob, a replacement for the cotton plant and bail of hay in the VAMC seal, to represent the school’s ongoing commitment to agricultural research.

Below are other versions of the university seal and the VPI initials from this time period, on just a few objects and art pieces we have in Special Collections. The VPI initials on several objects below are all intertwined, while an earlier photo shows students in athletic outfits with a large V with a small P inside.

Interesting to note is the different versions of the representation of Virtus in the first quadrant of the seal. Officially, the Virtus of the Virginia seal should be an Amazon woman and the victim a Roman-style emperor, but several versions of the university seal depicted Virtus as a man. In the painting below, Virtus is a knight. Unfortunately, in the early 1960s, someone drew Virtus and the defeated person as a caricature of a cowboy or early white settler defeating an American Indian, possibly because of the Draper’s Meadow massacre in Blacksburg’s early history. It was not used in many places, and it certainly wasn’t used long, as the Board of Visitors in 1963 officially adopted the university seal using the Amazon portrayal from the Virginia seal.

In 1970, the university’s name changed one final time to our current title, Virginia Polytechnic Institute and State University, shortened often to Virginia Tech or VT. The seal has remained the same, except with the full new name surrounding the coat of arms, lamp of learning, and motto, but new logos have been developed. In 1991, the university adopted the logo of a shield with the War Memorial pylons and 1872 founding year, and in 2006, the “Invent the Future” tagline was added, which is sometimes incorporated into the school logo. An athletic logo of a V with a T inside was adopted in 1957, much like the VP on the students above, and in 1984, two art students, Lisa Eichler and Chris Craft, won a competition to create the current athletic logo with a V and T connected.

Below are the current seal and two buttons, one with the athletic logo on the left and one with the university logo on the right.

If you’re interested in learning more about university logos, seals, and other traditional university symbols, such as the HokieBird and the word Hokie, I suggest looking at some of these additional sources, as well as coming in to Special Collections, of course!

Expressions of Remembrance: April 16th 10th anniversary exhibits

As part of Virginia Tech’s annual observance of its Day of Remembrance, condolence items and artifacts received by the university in the days that followed April 16, 2007, will be displayed at several locations across campus. The displays are among several “Expressions of Remembrance” that will be located in Newman Library, Squires Student Center, Moss Arts Center, and Holtzman Alumni Center; they are free and open to the public.

Each year, in observance of the Day of Remembrance, University Libraries at Virginia Tech displays materials from the April 16 Condolence Archives and invites the community to reflect and remember.

Below is a list and photos of exhibits all around campus. For more on each, please see the press release and the We Remember website.

Sending You All Our Love

The exhibit will include materials received from other colleges and universities, as well as some of the large white boards and signs created on the Drillfield the week of April 16, 2007. Additional items include flags, t-shirts, and condolence books, and a quilt from the Feminist Majority Leadership Alliance at State University of New York College at New Paltz. The exhibit title came from one of the quilt squares, each of which was made by a SUNY student.

This display can be seen April 8-16 in the Old Dominion Ball Room in Squires Student Center.

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Remembering Those Lost

Artifacts include flags flown over the Statue of Liberty and at Tikrit Air Academy in Iraq by soldiers during Operation Iraqi Freedom; Farham Aboussali’s painting Ceremonial Eternity; Carol Davis’ 32 hand-decorated eggs; Marilyn Rogge’s painting of a child releasing a red balloon; a KoKeshi Doll from the U.S. Navy Fleet Activities, Yokosuka, Japan; and some of the paper cranes received.

This display will be held April 8-16 at Newman Library Special Collections (first floor). Part of the exhibit is in the windows of Special Collections onto the cafe, open during library hours. A second portion of the exhibit is inside Special Collections, open Monday-Friday, 8am-5pm.

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A Community of Learners, a Legacy of Achievement

A selection of books will be displayed to honor of the students and faculty lost on April 16, 2007.

This display will be held April 8-16 at Newman Library Learning Commons.

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Communities of Caring

A digital exhibit featuring community expressions of support from the April 16 Condolence Archives.

This display is available online at http://digitalsc.lib.vt.edu/exhibits/show/april16/introduction.

Communities of Caring April 16th 2017 digital exhibit
Communities of Caring April 16th 2017 digital exhibit

April 16 Condolence Archive display

Items include cards and letters written to police and first responders; a display of the badges of police units who came to help Virginia Tech; Cheryl Thompson’s painting, Remember the 32; condolence books; quilted squares from Union Village United Methodist Church; black marble laserworks by David Cunningham, and April 17th Hokies United by Miss Price’s second grade class from Riverlawn Elementary, Fairlawn, Virginia.

This display will be held April 12-May 3 at the Holtzman Alumni Center.

Passages

A quiet, contemplative space for remembrance and reflection, this display will include prayer flags from the Virginia Tech Graduate Arts Council, Hillel, Living Buddhism, and Unitarian Universalist Congregation of the New River Valley and photographs from the community.

This display will be held April 12-16 at the Miles C. Horton Jr. Gallery and Sherwood P. Quillen ’71 Reception Gallery in Moss Arts Center.

Selections from Appalachian Collections

Today marks the beginning of the 40th Annual Appalachian Studies Association Conference, taking place here at Virginia Tech! Our archivist Marc Brodsky has set up an exhibit in Special Collections to show off some of our collections documenting the history of Appalachia. Please come by to take a gander today or tomorrow during our open hours, if you are interested in what he has highlighted from our collections! If you can’t make it, take a lot at some of the display:

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Let me tell you about some of the items on display and related material. There are selections from numerous collections that span 200 years. A few have been discussed previously on the blog, including the “Call to Arms” letter from the Robert Taylor Preston Papers, Ms1992-003, and a beautiful scrapbook with poetry, flowers, and rings of hair from Daniel Bedinger Lucas Papers, Ms1995-012.

One of the earliest documents regards slavery in the 18th century from the Dickson Family Papers, Ms1988-094. An example is the following bill of sale for a “Negro Boy Named Elijah”:

A bill of sale for a slave, a young boy named Elijah, in 1796
A bill of sale for a slave, a young boy named Elijah, in 1796 from the Dickson Family Papers, Ms1988-094

We also have items from the Black, Kent, and Apperson Families Papers, Ms1974-003. Harvey Black, the great-nephew of Blacksburg’s namesake William Black, was a field surgeon in the Civil War. He served as the superintendent of the Eastern Lunatic Asylum in Williamsburg, then became the first superintendent of the Southwestern Lunatic Asylum in Marion upon its opening in 1887:

Harvey Black portrait from the Mathew Brady Studios
Harvey Black portrait from the Mathew Brady Studios

Here is the text of the first annual report for the Southwestern Lunatic Asylum, 1887:

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Some of the other collections that I have not pictured here include

These items are always available for you to look at, even if you can’t come to the temporary exhibit!

Presidential Inaugurations and Virginia Tech

Well, tomorrow is the inauguration of the 45th President of the United States, Donald Trump, so I decided to scour our collections for items pertaining to presidents. At Special Collections you can find all sorts of material related to presidents – presidents of the U.S., presidents of organizations and businesses, and, of course, presidents of Virginia Tech. If you search our blog and our finding aids, you’ll find all sorts of posts and collections referencing all these presidential types. But I’d like to highlight items related to the presidential inaugurations of the U.S. and VT presidents that we maintain.

United States Presidential Inaugurations

The Highty-Tighties, Virginia Tech’s very own Corps of Cadets band, has performed for numerous U.S. presidents, including Theodore Roosevelt at an exposition in 1902 and in the pre-inauguration celebrations for Barack Obama’s first term in 2009. They have also gain national recognition through their performances at twelve inaugural parades, starting with Woodrow Wilson’s second inauguration in 1917 and ending with George W. Bush’s second in 2005. The band was also invited to play at William Howard Taft’s inauguration in 1909, which they were unable to attend, according to letters in Pres. Paul B. Barringer’s records, RG 2/6. During the mid-20th century, these parades doubled as band competitions, and the Highty Tighties won first prize three years consecutively in 1953, 1957, and 1961, the last year of the inaugural parade competition. Special Collections has photographs and other items related to the Highty Tighties at a few of the parades in the Historical Photograph Collection.

Special Collections also holds invitations to several U.S. presidential inaugurations in our manuscript collections. We also have materials related to the 100th anniversary of Abraham Lincoln’s 1861 inauguration and a tintype from Abraham Lincoln’s 1864 re-election campaign. Below are inaugural invitations and programs for Zachary Taylor in 1849 from the Robert Taylor Preston Papers, Ms1992-003; Franklin D. Roosevelt in 1941 in the John Henry Johnson Scrapbook, Ms2009-053; and Richard M. Nixon in 1969 in the Earl D. Gregory Collection, Ms1972-004.

Here are items from the press packet for the inauguration of Harry S Truman in 1949 in the Evert B. Clark Papers, Ms1989-022:

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Virginia Tech Presidential Installations

Being the repository for the University Archives, Special Collections, of course, maintains items related to the inaugurations or installations of the university presidents. For example, we have a video of James D. McComas’ inauguration in 1988 as 13th president of Virginia Tech. Several of the records of the presidents have files related to their inauguration ceremonies, including Walter Newman in RG 2/10, Boxes 2-3; T. Marshall Hahn in RG 2/11, Box 97; and William E. Lavery in RG 2/12, Boxes 1-2. Additionally, items related to the installation ceremonies are located in the Record Group Vertical Files and the University Libraries library catalog.

The Political Record in Special Collections

Since the 2016 election was last week, I thought I’d take a look at what political items Special Collections has in our collections. We have papers of politicians, committees, and local interest groups from students at Virginia Tech to U.S. legislators. These are, of course, only a handful of the collections in Special Collections that you may find of interest if you desire to know more about politics and campaigning in the New River Valley, Virginia, and Appalachia, so come down to learn more or contact us with your queries!

William C. Wampler Congressional Papers, Ms1982-003

I mentioned previously the William C. Wampler Congressional Papers, when I discussed our offsite storage in A Look Behind the Glass Door… Part 2. A Virginia Tech graduate, Wampler served nearly two decades in the U. S. House of Representatives as a Republican from Virginia in the 1950s and 1960s-1980s. His collection contains legislative files, constituent letters, photographs, campaign material, and documents from the house committees he served. Photographs below depict just a portion of the 250-box collection while being inventoried.

Dana Harmon Papers, Ms2011-013

Special Collections is also home to the Dana Harmon Papers, who ran as a Republican in Tennessee in the early 20th century. The two-box collection contains letters, newspaper clippings, family papers, financial papers, and a scrapbook.

Virginia Tech Young Democrats Scrapbook, Ms2014-005

We also have collections related to the Democratic Party in Special Collections. First, we have the Virginia Tech Young Democrats Scrapbook. This collection contains a scrapbook put together by the Young Democrats for 1986 thru 1988. It contains photographs, event programs, newspaper clippings, certificates, newsletters, and local campaign materials. Below are items from the scrapbook.

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The following is the Virginia Tech Young Democrats Constitution, c. 1986:

Montgomery County [Virginia] Democratic Committee Records, Ms1989-061

Next is the Montgomery County, Virginia, Democratic Committee Records. Dating from 1961 thru 1994, this eight-box collection consists of minutes from the county Democratic conventions, correspondence with the state electoral board, committee meeting minutes, materials about candidates and campaigns, newspaper clippings about local political issues, polling and registration information, and assorted publications. While the bulk of the material focuses on the Democratic Party’s issues and candidates, there is also literature about Republican and independent/third-party candidates as well as the League of Women Voters.

 

What’s a “vertical file”?

Have you ever heard the term “vertical file”? Typically, when researchers come in to learn more about a topic, the first place to look is in our vertical files. These are generally folders of newspaper clippings, brochures, press releases, and other items that are arranged by subject. The term itself derives from the vertical filing cabinets that archives may use to hold these collections [for your information, Special Collections uses boxes rather than filing cabinets].

Special Collections has several sets of vertical files:

But I’d like to tell you specifically about the Record Group Vertical Files. This collection is specifically about departments, offices, and colleges at Virginia Tech, including materials advertising the university and articles about it. For example, below is a postcard advertising the Virginia Tech College of Science, the Advisor’s Manual for the VT College of Arts & Sciences, an application for the VT Graduate School, and an issue of the Carilion Clinic Report about the VT Carilion School of Medicine and Research Institute.


In addition to the educational colleges and departments of the university, we have materials from the operational offices and student groups. Below are examples, including brochures for the Perspective Gallery and HokiePRIDE, an official VT flyer in Arabic, a program for the Alpha Kappa Delta National Sociology Honor Society, and an article about the Muslim Student Association.

The finding aid for the Record Group Vertical Files describes some of these groups when possible, including administrative history, former names of units, topics within the terms, and references to other related groups.

Whenever you are looking up the history of the university and you don’t know where to start, this collection is a great place to start. The same holds true for looking up any subjects in all the vertical files we have!