I feel like I probably spend too much time blogging about Civil War history on this site, when we have so many collections here at Special Collections and University Archives. But, what can I say? I’m not-so-secretly intrigued by reading dead people’s mail (it’s part of why I like working in archives) and Civil War letters are some of my favorites. I’m always surprised by what soldiers or families on the home front were writing to each other, what tidbits seemed of most value at the time, and how those pieces of information can be of interest to people today. I’m always excited to find food references (since my other love is food and drink history) and on more rare occasions, references to alcohol and spirits. This letter, for me, hits the trifecta.
Written from a camp near Petersburg, Virginia on December 15 1864, from Joseph Rule to his “Friend Silas.” Rule was part of Company B, 50th New York Engineers and his letter, among other things, talks about the regiment’s raid on Weldon Railroad, which was a significant supply line for the Confederate Army of Northern Virginia.
Like I said, though, I fixate on the stranger stuff. On page two, Rule writes, “we had chickens Turkeys geese Pigs Beef milk Preserves & in fact there was nothing that could be thought at but we had Apple jack there was by the barrel there could hardly be a cavalryman be found sober and there was some foot Soldiers drunk enough.” The fact that this amount and variation of food was available is a testament of sorts, to the success of the raid. As someone who actively goes looking for food and drink references, as I said, spirits and alcohol can be rare. A specific reference to applejack is exciting to see. It is no wonder that Rule reports on the drunkenness of soldiers–the barrel probably wouldn’t have lasted long to begin with and it was likely celebratory consumption, too.
Rule goes on, after his food talk, to detail a bit about the raid and the immediate aftermath–it involved not only destroying railroad tracks, but burning of houses and barns, seemingly in retaliation for the loss of lives in the regiment. Like many letters of the time, he talks about things he misses, has questions about issues at home, and contemplates a future furlough.
The finding aid for the collection has a little bit more detail and you can view it online. If Rule’s handwriting isn’t your thing (it’s not awful, but his punctuation is lacking!), we have digitized this letter. It’s online with the original envelope and a transcription, for your reading pleasure. Our digital site is full of Civil War letters and diaries, offering us tiny looks into the lives of people from 150+ years ago. There doesn’t need to be a lesson in there, but sometimes there can be. I guess, in this case: Don’t dive into your applejack barrels–Make them last a while, instead? (Cheers?)
We are very pleased to announce that our department has taken on a new addition to our name: Special Collections and University Archives (SCUA, for short). The University Archives have always been a meaningful part of our department, and this name change recognizes its significance in a more visible way.
This is just a recent change in a long line of them in SCUA’s nearly 50 year history. Virginia Tech has been collecting manuscript collections, university archives, rare books, artwork, and historical maps and photographs since the early days of its history, and many of those items constitute the foundations of our department’s collections. However, before SCUA’s establishment, the activities we engage in today were all separate. For example, the rare books were kept in locked cages serviced by the Reference Department, and an Archives section was created in 1968/1969 with Mary Larimer as archivist.
In 1970, the new Library Directory Gerald A. Rudolph formally established Special Collections, combining the rare books, manuscripts, university archives, and historical photographs and maps into one department. The first head of Special Collections was the aforementioned Mary Larimer. During her tenure, she expanded the southwest Virginia collections, such as the acquisition of the J. Hoge Tyler Family Collection, Ms1967-002; began the science and technology collecting area, including the John W. Landis Papers, Ms1969-001; and acquired a number of American literary works through the estate of professor Dayton M. Koehler, including both the Dayton M. Koehler Papers, Ms1971-002 and his rare book collection. The University Archives also expanded, with President Hahn sending all presidential records from before 1960 to the department and encouraging the members of the Board of Visitors to donate their papers in 1973.
Stephen Zietz was the third director of Special Collections from 1993 to 1995, and he spearheaded the development of the Friends of the University Libraries, an advisory board to help build collections and funding. During his tenure, Special Collections began collaborating with other departments on campus to digitize some of its collections and launched its website. The Elden E. “Josh” Billings Collection of over 4,000 volumes on the American Civil War was catalog, and processing the university presidents, such as President Hahn’s 100+ box collection, and vice presidents became a priority. The University Archives also began actively collecting materials related to underrepresented and traditionally marginalized groups at the university, such as the Black Women at Virginia Tech Oral History Project, Ms1995-026.
The Director of Scholarly Communication, Gail McMillan took on the additional role as the fourth director of Special Collections in 1995. Both departments were under the aegis of Digital Library and Archives (DLA), starting in 2000 with McMillan as DLA director. From 2001 through 2003, Jennifer Gunter King served as the fifth head of Special Collections, but following her departure, McMillan once again became de facto head in her role as director of DLA.
While part of DLA, Special Collections began digitizing materials in bulk, including the creation of ImageBase and the Bugle yearbooks for online access of these materials. McMillan was also influential in the development of the history of food and drink collecting area, acquiring the Peacock-Harper Culinary Collection in 2000 and the Ann Hertzler Children’s Cookbook and Nutrition Literature Collection & Endowment Fund in 2006. That same year, the department also expanded with a newly renovated reading room.
Following an outside consultant’s report in 2006, Dean Eileen Hitchingham decided to split Special Collections and DLA into separate departments. In 2007, the seventh and current director Aaron D. Purcell was hired. Major developments in the department over the past few years have included the mass creation of finding aids in Virginia Heritage, the first redesign of the department website in 20 years, the active collection of LGBTQ+ history at Virginia Tech and in Blacksburg, expansion of the processing of the University Archives records and publications, and of course, the new and improved name Special Collections and University Archives.
The Fries Textile Mill was established in 1903 by Col. Francis Henry Fries, then the president of Wachovia Bank. He built the mill on a bend in the New River, which he had dammed in order to provide power for his new venture. He also built a town nearby to house, educate, and supply the employees of the mill. For 85 years, the town of Fries and its people were overseen by the company administration, which owned and operated the school, the stores, and the housing. The mill processed cotton from large bales that were brought in via train into a variety of finished fabrics, which they sent all over the country. Through the years, this fabric was used to make gloves, fine garments, military uniforms, and many other industrial and commercial goods.
The mill managed to stay open during the Great Depression by dramatically cutting hours without firing workers in order to keep at least a little money coming in for all of its employees, and stashing the fabric produced in a warehouse the company owned in New York. This plan worked out for the Fries Mill, it managed to stay open and running through the lean times of the late 20’s and 30’s. It also meant that it had plenty of stock on hand for World War II, when textiles were in high demand and many mills had closed. The 40’s and 50’s were a boom period for the mill. It was employing more people than ever and utilizing the most state-of-the-art technologies and techniques to create high quality cotton-based fabrics.
Unfortunately, as time wore on the mill began to decline. The infrastructure necessary to maintain a competitive edge in the textile industry was expensive to acquire and maintain, and pressure from a globalizing market made it all the more difficult, so a series of owners decided to simply sell the business on. After several such transfers, the mill finally closed in 1988. Because the company had effectively owned the town of Fries for the better part of a century, the reactions to its closure were understandably negative. The binding force of the community had disappeared, and the town suffered. However, many residents chose to stay and forge a new way of life around that bend in the New River. The mill building itself was torn down not long after, and now all that remains is a bare patch next to the dam.
Because of the terms under which this collection was given to Virginia Tech, it had largely sat in the backlog at Special Collections since it was acquired in 1988, although an inventory was conducted and several boxes of papers were partially processed in the interim. The work of Special Collections and the town of Fries, as well as a recent grant from the NHPRC, has allowed me to finish processing the entire collection (165 boxes!) revealing a trove of information about 20th century textile mills and the industry in general, mill towns, and life in rural Appalachia.
This processing included removing damaging metal fasteners (pictured is a small fraction of the staples removed from collection materials), rehousing the documents, getting intellectual control over the collection by creating a detailed inventory of folder titles, dates, and interventions, and evaluating any preservation or privacy concerns for the materials. The finding aid, which will be available soon, has a folder-level description of the contents of the boxes.
The collection includes records illustrating the work of the mill, including production reports, textile samples, and company correspondence, but also materials that give insight into life in a mill town, such as housing repair documents, letters to and from pillars of the community such as the town doctor and the school, and oral histories from residents and former residents of Fries.
We have also recently acquired another 2 large storage bins worth of blueprints from the town, as well as about 20 decks of slides. These new materials are currently being processed, after which I will add them to the finding aid. They were being stored in the basement of the Recreation Center in Fries, and were discovered entirely by coincidence on a visit to the town (picture three excited archivists spreading blueprints over every flat-ish surface in a basement lounge area while several bemused residents look on). The building that the bins were in had severely flooded not long before, but the blueprints were unharmed by the water, thankfully. It is entirely possible that we will continue to receive similar trickles of mill-related items as more materials are discovered and we continue to engage with the community.
Sadly, the picture is not complete. We only have the materials that were left at the mill when it closed, which heavily favor the early years of operation, and certain kinds of records. It is unclear whether the missing documents were destroyed as part of a regular records management cycle, or whether they were taken at some point. Despite the gaps, the collection offers a valuable look at life in a 1900’s mill town. Starting August 22nd, there will be an exhibit up in the Special Collections reading room of selected materials from the collection illustrating the broad influence of the mill administration on the town, stop by and check it out!
In the couple of weeks since the passing of Christopher Kraft, there have been many well-deserved tributes to a life of historic and significant scientific and technical achievement. As many folks may know, he joined the NASA Space Task Group in November 1958 as NASA’s first flight director, created the concept of NASA’s Mission Control, served as Flight Director for all of the Mercury flights and several Gemini missions before becoming NASA’s Director of Flight Operations. In 1972, he became Director of the Manned Spaceflight Center, soon thereafter to be named the Johnson Space Center. Kraft served as its Director until his retirement in 1982, having gone on to play an essential role in the latter Apollo missions, Skylab, the Apollo Soyuz Project, and early space shuttle flights. He was an indispensable force and presence in this country’s space program.
For readers interested in Kraft’s Virginia Tech connections, they are many. He graduated at the age of 20 in December 1944 (officially, Class of 1945) with a degree in aeronautical engineering. He had also been elected president of the Corps of Cadets his senior year. In November 1965, he was honored with a Convocation at Burruss Hall, where he was presented with the highest award the university can bestow on any person or alumnus, the Distinguished Alumnus Citation.
Commemorative Program from Convocation to Honor Kraft, November 1965 (cover)
Commemorative Program from Convocation to Honor Kraft, November 1965 (inside cover)
Commemorative Program from Convocation to Honor Kraft, November 1965 (interior page)
Roanoke Times article, 12 November 1965
At the same event, he received from Time Magazine the original portrait used on the cover of the 27 August 1965 issue in which Kraft was featured, and, also, from the university, a Steuben Glass Eagle “on behalf of the entire VPI family.” According to the Roanoke Times, a crowd of over 3,000 was in attendance, including students, faculty, university officials, NASA colleagues, members of Kraft’s graduating class, and locals. Following the program, Kraft was also honored by a review of the Corps of Cadets on the Drillfield.
From 1970 to 1978, Kraft served on this university’s Board of Visitors. Among the many times he spoke on this campus, he gave the Founder’s Day Address at Burruss in April 1974, titled, “The Frontiers of Space . . . America’s Space Program in the 1970s” and was the featured speaker at the 110th annual commencement in June 1982. Well before he achieved the national spotlight and while he was working for the National Advisory Committee for Aeronautics (NACA, precursor to NASA) back in April 1954, he presented a technical paper, “Gust Alleviation,” to the Fifth Annual Engineering Conference on campus.
With regard to the University Libraries, 11 April 1986 was, likely, the most significant date in its relationship with Kraft as that was the day of the ceremony marking the opening of the Christopher C. Kraft, Jr. Papers and the establishment of the Archives of American Aerospace Exploration at Special Collections. On the program that day, in addition to Kraft himself, were Paul Gherman, Director of Libraries; David Roselle, Provost; and William Lavery, President of the University. Kraft had donated his papers, approximately 28 cubic feet of material when processed, that documented his 37-year professional career, and he would prove essential in helping Special Collections to acquire the papers of many of his NACA and NASA associates. In fact, collections from several individuals from NASA present at the 1965 Convocation went on to donate their papers to Special Collections, including Melvin Gough, Hartley Soule, John Duberg, and William Hewitt Phillips. Other collections in the group of over thirty include the papers of Robert Gilruth, Michael Collins, Blake Corson Jr., Marjorie Rhodes Townsend and James Avitabile.
As the details of Chris Kraft’s life can be found in numerous and just-published obituaries and tributes, as well as in his 2001 autobiography, Flight: My Life in Mission Control, I would rather offer a glimpse into certain early stages or moments in his career as represented in his Papers, and to choose a selection of items readers may find interesting, surprising, or, simply, less well-known. The collection includes more than 27 boxes and 5 large folders, so we’ll only be touching the surface. Check the finding aid for the collection to see a list of the collection’s contents. Lastly, I’ll end by retelling a story about Kraft involving a very close call that I discovered only in my preparation for this post.
You may be surprised to find that there are a few items in the collection from Kraft’s days at Tech. There are seven lab reports from the summer and fall of 1944, all from class(es) taught by L.Z. Seltzer (and all graded, by the way . . . one “B” and all the rest “A” or “A-“) on topics such as: Turbulence Test on the V.P.I. Wind Tunnel, Yaw Characteristics of Pitot-Static Tubes, Wing Tunnel Test on Low Wing Monoplane, and Airplane Propellers Problem, among others.
Lab Report cover, 28 July 1944
Diagram from Lab Report, 19 December 1944, Airplane Propellors Problem
After leaving Blacksburg, Kraft went to work for NACA (National Advisory Committee for Aeronautics), the US government’s agency for aeronautical research, at Langley Field, near Hampton, Va. (though not before a very funny brush with Chance Vought Corp. in Connecticut: see Flight, page 27). The war was still raging and Langley was doing important work. Kraft had been excluded from active military service because of a serious burn he sustained to his right hand as a child, and he clearly saw this work as his way to make a contribution. In those early days at Langley, Kraft did extensive work on the P-47D Thunderbolt and the P-51H, a late model Mustang, both piston-driven advanced fighters of their day. Kraft’s Papers include a good selection of this work, including various reports, calibrations, photographs, and memoranda.
You might notice that the photo farthest to the right in group above shows some of the instruments ready to be loaded aboard the Bell XS-1. Beginning in 1946, NACA began testing this aircraft and one other like it to explore flying conditions at transonic speeds. On 14 October 1947, Chuck Yeager flew faster than the speed of sound in the Bell XS-1, and Kraft’s Papers show his own involvement in this area of research. One of the documents, dated 23 June 1948 and titled, “A Free-Fall Test to Determine the Longitudinal Stability and Control Characteristics of a 1/4 Scale Model of the Bell XS-1 Airplane at Transonic Speeds” shows Kraft’s name at the top of the cover page and identifies him as Chairman, FRD [Flight Research Division] Stability and Control [Branch].
About this time, Kraft was handed another assignment to work on—gust alleviation—that is, creation of an automatic system that would smooth out the motion of an airplane when it encountered turbulent air. This is the same topic Kraft presented on at the 1954 Engineering conference at Virginia Tech mentioned above. As he was beginning this work, and as described in his autobiography:
I found a French aerodynamicist, René Hirsch, who’d designed and built a gust-alleviation airplane and was beginning to test it. We corresponded about our various plans and concerns and seemed to be in some agreement. Then he was injured when his airplane crashed. I never learned the cause of the accident. Gust alleviation was not only a mysterious quest, but now I knew it was dangerous as well. (page 41)
Well, of course this correspondence is available in Kraft’s Papers! In some cases, we have a draft version and a typed copy of Kraft’s letter as well as Hirsch’s reply. Through most of the first half of the 1950s, this problem took up much of Kraft’s time and there are many documents on the topic in the Papers. I’m no engineer, but I imagine this kind of exchange would be interesting to explore.
The collection of Kraft’s papers are arranged chronologically by year, and in the materials from 1959, following the creation of NASA (National Aeronautics and Space Administration, in case you wondered) in July 1958, documents that refer to Project Mercury begin to appear. During this time, Kraft stopped being a flight research engineer and became an engineering manager, and these documents include Mission Documents for the first Mercury-Atlas and Mercury-Redstone missions. In NASA lingo, each mission was typically (there are exceptions) named by the spacecraft, booster rocket, and number. Thus, MA-5, which took place on 29 November 1961 with Enos, a chimpanzee, aboard, was the fifth mission to fly a Mercury spacecraft atop an Atlas booster. MR-3, NASA’s first manned suborbital mission, with Alan Shepard aboard on 5 May 1961 (about three weeks after Yuri Gagarin’s “first man in space” mission), was the third Mercury mission with the Redstone rocket. Also among the documents for 1959 are notes and materials related to a talk Kraft presented to a symposium titled, The Pilot’s Role in Space Exploration (a controversial and dicey topic) offered by the Society of Experimental Test Pilots, 8–10 October 1959.
Test procedures and reports; project discussions; post-Launch reports; flight plans; post-flight debriefings of Shepard and then Gus Grissom, the second American to fly a suborbital mission: these are among the documents to be found in Kraft’s papers from these early years of the space program. The success of Shepard’s 15-minute flight was followed three weeks later by President Kennedy’s public proposal “that the US “should commit itself to achieving the goal, before this decade is out, of landing a man on the Moon and returning him safely to the Earth.” We would do well to remember Kraft’s response, as recalled in his autobiography:
The moon . . . we’ve only put Shepard on a suborbital flight . . . an Atlas can’t reach the moon . . . we have mountains of work just to do the three-orbit flight . . . the moon . . . we’ll need real spacecraft, big ones and a lot better than Mercury . . . men on the moon, has he lost his mind? . . . Have I?
Well, the rest is history. And it can all be followed in Chris Kraft’s Papers: the technical aspects, the failures, the tragedies, and the successes, but mostly the development towards that success, as revealed through the documentation accumulated by Kraft over the course of a storied career.
But wait. There is one more thing. I promised to describe a close call in Chris Kraft’s life before ending this post. It does not involve a rocket exploding on a launch pad or anything like the difficulties of Apollo 13. In fact, I did not know about this story. Never heard it before. If you’ve read Kraft’s book, Flight, you probably do, unless you were blinking for the couple of paragraphs at the bottom of page 238 and the top of 239. Here’s what I found as I was going through our biographical file of newspaper clippings on Kraft.
Associated Press report, 18 November 1965
That’s right. Just a few days after Kraft left Virginia Tech following the Convocation in his honor, he was flying with several other NASA officials on a National Airlines flight from Houston to Miami with a scheduled stop in New Orleans. As they were climbing out of New Orleans, a young man whom Kraft describes as “sickly” and carrying “a small paper bag” was seated by the flight attendant in the seat across from him. As Kraft tells it, the attendant said, “He’s acting funny. Do you mind if I put him in that seat across from you?”(Flight, page 238). The young man—Thomas Robinson, age 16, from Brownsville, Texas—pulled a gun out of the bag and pointed it at Kraft. As quoted in the newspaper article, Paul Haney of NASA’s Public Affairs Office and also a passenger, said, “He pointed it at Chris . . . it was only six inches off his jaw. . . . There was a click which I thought was a cocking action . . . it did not fire. That’s why I thought it was a cocking action. The kid stood up and backed toward the cockpit door and fired three shots in the floor of the lounge.”
Robinson demanded the plane fly to Cuba. He actually had two guns and fired both into the floor of the cabin. Kraft writes, “He fired both into the floor of the lounge in front of me, then he was tossed sideways as the pilot put the plane in a high-g turning descent, heading back to New Orleans.”
At that point, another passenger, Edward Haake, described in the newspaper as an electronics executive and a decorated B-17 pilot (of course) got involved. Again, from the newspaper:
Haake was the only other person in the lounge, Haney said. The husky 6-footer talked to Robinson calmly, pretending to go along with the wild plans about going to Cuba, even though Robinson now had a revolver in the other hand. “He even fixed him a drink,” Haney said.
“Then the kid calmed down and Haake pulled out a plastic holder full of gold coins. He asked the boy if he would like to see them. The kid said he was a coin collector.
“At some point along the way, the kid lowered his hands. I think he was going to reload the gun. When he put his hands together Haake grabbed them.
“Chris and I immediately jumped. I was the first one there. Haake held his hands and I threw him against the seat.
“And while Haake held him, both Chris and I helped subdue him.”
According to Brendan I. Koerner, author of The Skies Belong to Us: Terror in the Golden Age of Hijacking, Robinson pleaded guilty to attempting to intimidate a pilot, a less serious charge than air piracy. He served a brief sentence at an Arizona prison camp for youthful offenders.
July 20 marks the 50th anniversary of humanity’s first moon landing, and Special Collections is commemorating the monumental achievement of the Apollo XI mission with an exhibit of materials from our collections.
Curated by Special Collections Public Services & Reference Archivist Marc Brodsky, the exhibit features items from the Christopher C. Kraft Papers (Ms1985-001), the Michael Collins Papers (Ms1989-029), and the Evert B. Clark Papers (Ms1989-022). The three collections comprise part of Special Collections’ Archives of American Aerospace Exploration (AAAE), which itself represents part of our larger collection focus area in science and technology. The papers of Christopher Kraft, who graduated from Virginia Tech in 1944 (BS, aeronautical engineering) provided a seed from which the AAAE grew. Kraft, a 1944 graduate of Virginia Tech (BS, aeronautical engineering), served as director of flight operations for the Apollo missions before being named deputy director of the Manned Spacecraft Center (now the Johnson Space Center) in 1970. The donation of his papers to Special Collections in 1985 encouraged others with ties to the space program to donate their papers to Virginia Tech. Among these were Michael Collins, command module pilot on Apollo XI. Providing a somewhat different perspective on the space program are the papers of Evert Clark, a journalist who worked as a science correspondent for the New York Times and Newsweek during the 1960s.
More about the materials featured in the exhibit may be found in an online story that appeared on VT News on July 3. The exhibit’s profile was heightened earlier this week with a story in the Roanoke Times and a WFXR live remote in which Project Archivist Sam Winn discussed the exhibit and the space program. A second news story featuring Sam and the exhibit appeared on Roanoke’s WSLS News yesterday. Thanks to the media attention, “Celebrating the 50th Anniversary of Apollo 11” has proven to be one of the department’s most popular exhibits to date and has drawn a number of off-campus visitors. The popularity of the items in the display cases spurred staff to pull more materials from the collections and make them available for viewing in the reading room.
Somewhat downplayed in the nationwide commemoration of the Apollo XI accomplishment is the fact that it wasn’t a single, spontaneous event but was instead a milestone in a continuum of space exploration achievements initiated more than a decade earlier. Special Collections’ holdings document not only the moon landing itself but the years of work that went into reaching the goals and objectives that led to the mission’s successful accomplishment. The Marjorie Rhodes Townsend Papers (Ms1986-003), for example, chronicle her work as a project manager at NASA, overseeing three Small Astronomy Satellite launches. Reports in the Otis Jerome Parker Papers (Ms1987-065), meanwhile, detail an early effort to develop devices for astronaut extravehicular activity propulsion. And the many manuals in the papers of James J. Avitabile (Ms2001-057), who served as an astronaut mission operations instructor at Cape Canaveral/Cape Kennedy, provide insights into the training of astronauts in a pre-digital age. Together, these and many other primary source materials (not to mention the related materials in our book collection) give us a broader understanding of the many elements that had to successfully work in tandem to reach the landmark achievement of July 20, 1969.
“Celebrating the 50th Anniversary of Apollo 11” will run until August 16.
It’s summertime in Blacksburg and at Virginia Tech Special Collections, I always think that’s going to be my two-ish months to catch up on the rest of the year’s projects. Sometimes it works, sometimes it doesn’t–inevitably, I also end up launching new projects or initiatives. This summer, one of those new projects is working on our backlog of digital materials. Special Collections has been digitizing collections for reference and research long before we had our current online platform. Some images lived on our old website, some lived (or still live) in Imagebase, and some never made it as far as the world-wide web. So, this summer, we’re making more of that possible. With the help of a student, we are taking some of these digitized collections, creating metadata, and adding them to our digital site! Here’s just a taste of some new items:
First up, the Norfolk & Western Railway Menus, c. late 1940s-1960s? (Ms2013-080). This collection includes a handful of railroad menus from Norfolk & Western passenger trains. Below are a beverage menu, a dinner menu, and a blank patron check. Note the “Apple Pie (baked on car)” on the dinner menu–train travel these days has changed a little!
Front cover of the “Beverages” menu, Norfolk & Western Railway Menus, c. late 1940s-1960s? (Ms2013-080)
“Beverages” menu, Norfolk & Western Railway Menus, c. late 1940s-1960s? (Ms2013-080)
Front cover of “The Cavalier” dinner menu, Norfolk & Western Railway Menus, c. late 1940s-1960s? (Ms2013-080)
“The Cavalier” dinner menu,Norfolk & Western Railway Menus, c. late 1940s-1960s? (Ms2013-080)
Sample of guest check, Norfolk & Western Railway Menus, c. late 1940s-1960s? (Ms2013-080)
Second, the letters of Joseph T. Harris to his sister, Molly Swope. Harris served with the 12th Regiment, Ohio Infantry, during the Civil War. This collection contains four letters written from parts of western Virginia between August 1861 and February 1862. Below is the letter from November 23, 1861.
Letter, Joseph T. Harris to his sister, Mollie Swope, November 23, 1861 (Ms2018-016)
Harris was particularly around the Kanawha Valley western Virginia and he writes to his sister about his regiment’s actions there, as well as camp life. He tells her “Harris describes his rations as being good and lists what he is being issued and getting food from the locals. ‘We have all theas things, besides what we can steal witch is a good deal. Steal did I say, well I will have to take that back for us boys have quit stealing and took to takeing a good menny things without leave.'” You can view the full collection and the finding aid online.
Last up, for the moment, is the Yonson (Johnson) Family Collection (Ms2013-020). The Yonson family was based in Wythe County, Virginia, at the end of the 18th century. The collection includes family receipts, estate bills, tax documents, and some other family papers. It’s worth noting that you’ll see variations on the spelling of the family’s name throughout the collection, though research indicates that later generations of the family eventually settled on “Johnson.”
Receipt of payment by Baltzer Yonson, 1803. This is the earliest item in the collection and is one of several handwritten receipts on scraps of paper.
Receipt for tax on land from Wythe County sheriff, 1852. This is a partially printing item that would have been customized for tax-payers throughout the county. Yonson’s taxes were based on his land ownership.
Yonson Estate Allocation, 1859. Baltzer Yonson, the head of the family, died around 1850 so it’s unclear if this is his estate being settled some years later, of that of another family member.
Summer is also the time I catch up on student processing work. We would be lost without the help of our amazing student workers in Special Collections. Often times, they help organize and describe collections faster than I can get them finished and posted online, so I’ve also been spending time on that. Here are a few of my favorite newly processed manuscript collections:
Bartender’s Cocktail Mixing Notebook [San Francisco, CA], n.d. (Ms2019-002). This collection includes a Bartender’s Cocktail Mixing Notebook [San Francisco, CA] with typed cocktail recipes and directions for their creation . Different sections include lesson plans for specific types of drinks, suggesting this was used in a bartending school or for bartending instruction. Some pages have handwritten notations or illustrations. Finding aid available online.
Herschel A. Elarth-Charles S. Worley, Jr. Architectural Firm Drawings, 1955-1961, undated (Ms2019-036). Related to both the personal and professional papers of Elarth and Worley, who were Virginia Tech faculty and architectural firm partners, this collection includes drawings from selected local projects. Finding aid available online.
Jaffe-Lankes Family Correspondence, 1930-1942, 1980-1985 (Ms2019-014). This collection contains two main sets of materials: Correspondence between Louis I. Jaffe and J. J. Lankes from 1930 to 1942 and correspondence between Alice Jaffe (Louis’ widow) and J. B. Lankes (J. J.’s son) from 1980 to 1985. In addition, there is a small folder of notes and letter excerpts created by J. B. Lankes in the early 1980s. We processed this collection as part of the Sherwood Anderson online exhibit that launched in April 2019. Finding aid available online.
Piedmont Tuberculosis Sanatorium (Burkeville, Virginia) Collection, 1926-1971 (Ms2019-009). The Piedmont Tuberculosis Sanatorium (Burkeville, Virginia) Collection includes materials from 1926-1971. The collection contains information relating to the operation of the sanatorium from 1918-1965. The collection contains administrative papers, published works of doctors, ephemera, and images. Finding aid available online.
We’re always processing new materials and making new materials online, so we always encourage you to check out our resources, but since this is on my mind lately, it seemed a good time to do a round-up/reminder. You can usually view our most recently posted finding aids online in upload order and see our most recently collections on our digital collection site’s “Browse Collections” page.
After several years, I recently finished processing the Smithey & Boynton, Architects & Engineers Records, Ms1992-027. Partner in the firm, Kenneth L. Motley purchased the firm in 1992 and donated the firm’s historical records in 1992 and 1994. About 30% of the collection was made available before I arrived at Virginia Tech in 2014, but the oversize, rolled architectural drawings and blueprints were not (although I must thank my predecessors for labeling and locating the rolls, which helped me significantly). Over the past four years, I arranged, described, and boxed up nearly 1,500 project drawings, totaling over 220 cubic feet and including over 920 boxes. (This isn’t even the largest collection we have in Special Collections!)
Louis Phillipe Smithey and Henry B. Boynton formed the Smithey & Boynton partnership in 1935. Smithey & Boynton built and renovated thousands of buildings throughout the state of Virginia. They designed Lane Stadium and several other buildings on the Virginia Tech campus, buildings for the Norfolk & Southern Railway (now Norfolk Southern), and the Lyric Theatre and Armory Building in Blacksburg. The firm became best known for building public schools, even using the same basic layout for numerous schools. They had nearly 150 school design commissions from 1945 through 1953 in at least 19 counties and 10 cities in Virginia.
Drawings of the Armory Building in Blacksburg, designed by Smithey & Boynton:
Louis Phillipe Smithey (1890-1966)
Smithey graduated from Randolph-Macon College in 1910, before attending both Virginia Polytechnic Institute and Massachusetts Institute of Technology. He was an engineer for Virginia Bridge & Iron Company from 1916 to 1920. He then opened his own practice, before partnering with Matthews H. Tardy, as Smithey & Tardy from 1922 through 1932. Smithey again had his own practice, occasionally working with Henry B. Boynton, before they partnered as Smithey & Boynton in 1935. Smithey was a registered architect in Virginia and West Virginia, a fellow of the American Institute of Architects (AIA), and served as president of the Virginia chapter of the AIA in 1940. He also served in the U.S. Army during World War I and World War II. Smithey married Dorothy Terrill in 1938, and they had one daughter.
Photos and drawings of the Lyric Theatre in Blacksburg, designed by the firm of Louis Phillipe Smithey:
Henry B. Boynton (1899-1991)
Boynton graduated from Virginia Polytechnic Institute in 1923, before taking classes at the University of Illinois (now the University of Illinois in Urbana-Champaign). He worked for Carneal & Johnston, Architects & Engineers, from 1924 to 1928. (We previously wrote about Carneal & Johnston on this blog in “A New Collection and a New Look at Virginia Tech’s Architectural Style.”) Boynton joined Smithey’s practice in 1929, becoming a partner in Smithey & Boynton in 1935. He was a registered architect in Virginia, West Virginia, North Carolina, and Pennsylvania; held several positions of the Virginia chapter of the AIA; and served as the Governor’s appointee to the State Registration Board for Architects, Professional Engineers, and Land Surveyors from 1962 to 1972. Boynton also served on the VPI Alumni Board of Directors from 1969 to 1979 and the VPI Education Foundation, Inc.’s board from 1978 to 1982. He also served in the Army Corps of Engineers during the World War II. (Special Collections also has the Henry B. Boynton Papers, Ms1992-002, which include some records from Smithey & Boynton.)
Drawings of the Norfolk & Southern Railway’s General Storehouse in Roanoke, designed by Smithey & Boynton:
About two months ago, while staffing the front desk at Special Collections, I took an interesting phone call. A woman called to ask if we really had copies of Ragsdale’s Original Scientific Course of Candy Manufacturing Instructions and, if we did, could she get copies. If I remember correctly, she said that she had found out that Virginia Tech was one of only two libraries that held these materials. The catalog showed that we did, indeed, have it, but since she was interested in obtaining copies, I asked if she would hold the line while I went to retrieve it. “It” turned out to be ten sets of mimeographed sheets, each with a well-designed heavy paper cover and held together by two grommets at its top. “It” also turned out to be something I’d never seen while working here (therein lies the fun, as I have often said before).
I got back to the phone and described what I had in my hands. She was overjoyed. I said that we were talking about approximately 90 scans—not a problem—but that the grommets could be a problem. It would be impossible to scan the sheets without unbinding each set of instructions. Typically, we would want to “remove the metal,” but I would have to see if the grommets could be safely removed without damaging the documents. Ten years as an archivist and I’d never removed grommets. Surprise, surprise!
“I hope you’ll see what you can do,” she said.
I saw no copyright notice, but each of the folders/volumes carried a big WARNING:
I was not too worried about the threat of prosecution from Mr. Ragsdale, and even though the item’s cataloging gave its pub date as 1930 (Worldcat says, “approximately 1930?”), I was more than willing to scan the entire set for our patron . . . if I got past the grommets. That was before I heard the story behind the request.
She was calling from Nebraska. It was the end of March. Her house had been completely flooded in the history-making flood that had occurred about 2 weeks before. These booklets had been in her family for a couple of generations and were cherished. More than that, they were part of her family’s story. And, they were gone. She specifically mentioned the recipe for fruit cake fudge—a great favorite.
That was more than enough for me, and I told her I would get back in touch with her when I knew more. A couple of days later, I reported that the grommets were out and the scanning had begun. I thought I had heard there was a specialty tool for removing grommets, but, in the end, a small pair of wire cutters (used primarily not to cut, but to bend the metal) and an equally small needle-nosed pliers did the trick.
Of course, as I was scanning the materials, I became more interested in their origin. First, Worldcat does report that only Virginia Tech and Rutgers have these materials. (We acquired them in 2013, not that long ago. One of our major collecting areas is the History of Food and Drink.) But what of these lessons, and what might we find out about W. Hillyer Ragsdale?
The lessons were not written for folks who wanted, occasionally, to make candy, but were for entrepreneurs or established small business folks who wanted to make and sell various kinds of confections. The cover page of the booklet titled, Beginner’s Work Sheets and Special Supplement . . . declares:
On page 2 of the same set, under the subhead, Selling Plans, Ragsdale writes: “As you are perfectly aware, the market for candy is absolutely unlimited. Its sale is no longer confined to the corner confectionery store—but department stores, tea rooms, grocery stores, drug stores, cafeterias, office buildings, road stands, amusement parks, fairs, and hotels all sell tremendous quantities.” Ragsdale includes lots of practical advice for the business of selling confections in this folder, everything from buying attractive boxes (cheaply) for display and packaging, to staying up-to-date by reading the appropriate trade papers. As for the recipes in this lesson, they include Almond Crunch (“a delightful nut piece—very popular everywhere. Usually sells for 80¢ to $1.00 per lb. retail.”); Haystack Goodies; Maple, Mocha, Pistachio Fudge, and the curious Chop Suey Candy (“take a popcorn crispette, but add roasted peanuts and concoanut . . . more corn and cocoanut than peanuts”).
Our patron from Nebraska told me that her family had these in the 1920s, that her grandmother had passed them down to her mother. Certainly, as early as October 1923, Ragsdale’s ads appear in the Newsstand Group advertising supplement to Smart Set: A Magazine of Cleverness, then edited by H.L. Menken and George Jean Nathan. In fact, In his autobiography, My Life as Author and Editor, Menken writes about the introduction of this kind of advertising to his posh, literary magazine:
“Inasmuch as all the other members of this group [Newsstand Group] were such dubious pulps as Snappy Stories,Breezy Stories, and Young’s Magazine, Nathan and I were perturbed more than gratified, and our doubts were not allayed when we saw the advertisements that began to come in. They included everything in the shabby line save lost manhood and bust developer ads, as we had to take a pretty severe kidding from readers and friends.”
The ads in Smart Set started with a couple of pages, but by December 1922, there were 23 pages of advertisements. Look to the November 1923 set of ads, and there is W. Hillyer Ragsdale at Drawer 400, East Orange, N.J. proclaiming:
“GO INTO BUSINESS FOR YOURSELF,” right there between “Don’t Wear a Truss” and a bust developer ad! Menken, in the same passage quoted above goes on to write of that December 1922 supplement, “There were several ads headed “Send No Money” and half a dozen or more announcing ways to make fortunes by spare-time work at home! Ragsdale was right there.
So, by 1923, Ragsdale was running ads enticing folks to “Establish and operate a “New System Specialty Candy Factory,” using some of the same language that appears in our sets of lessons. Also by 1923, Tools and Machinery for Confectioners by W. Hillyer Ragsdale, The Candy Specialist, becomes available. Here are the first three pages, including a price list (From the Alan and Shirley Brocker Sliker Culinary Collection, Michigan State University Libraries.)
Tools and Machinery for Confectioners
By W. Hillyer Ragsdale
with April 1923 price list
Here’s his ad from the November 1929 issue of Popular Mechanics, promising enormous profits:
Throughout the 1920s, Ragsdale’s business must have grown. Perhaps the 10 sets of lessons were available at once; perhaps they were developed over a few years. We do know that Ragsdale was born on a farm in Lithonia, DeKalb County, Georgia in 1876. According to census data, in 1900 he was living at home and employed as a clerk in a drugstore in nearby Kirkwood, Georgia. By 1910, he had relocated with his wife, Wilhelmina (Willie) to East Orange, N.J. where he was working as a traveling salesman possibly for a department store. The 1920 US census lists his occupation as “Proprietor,” his status as “Employer,” and the “Industry” in which he was engaged as “Jobber Confectioner Supply House.” At the very least, by 1920 the roots of his candy-making endeavors were firmly in place. A notice on the Antiquarian Bookseller’s Association website dates the set of lessons as “ca. 1920s?”
In David Lawrence Pierson’s History of the Oranges to 1921, Vol. 4 (Orange, NJ: Lewis Historical Publishing Co. 1922), Ragsdale is reported to have come to East Orange in 1908, where he established and built his “ large business as a manufacturer and jobber of confectioners’ supplies.” Pierson also writes that, as of 1922, Ragsdale was a director of the Lackawanna Building and Loan of East Orange. We can assume that his business was quite successful, at least through the early part of the depression. In 1930, Ragsdale is listed in the census as manager of his Confectionary Supply Company. By 1940, however, at age 63, he was employed as an investigator for the New Jersey State Beverage Tax Department. William Hillyer Ragsdale died in East Orange in 1957, but the traces of his candy-making business can still be found quite easily. It is not at all hard to find some of his equipment, for example, especially his candy thermometers, on eBay.
But the sets of instructions in candy-making for profit are the trace that continue to hold significance for our patron in Nebraska. After we’d gotten the scans to her, about three weeks after our phone call, I asked her if she would send me a bit of her family’s story in connection with these sets of instructions; also if I might retell that story in our blog. Here’s what she wrote (copied with permission):
“My grandmother passed them down to my mom. So, since the 1920’s. They were really prized. When my mom’s family was young, her father came down with tuberculosis of the liver. That knocked him out of working. My grandmother, being an excellent cook to seven children, and having a brother that owned an ice cream store in Massachusetts, set out to do the confections. They were sold through the brother’s store and during the holidays, the kids would go door to door. Then the depression happened and finding work was even more hard to do. They kept their business going. They were hard workers. They rallied around my grandfather. There were four boys. When the war broke out, they left to serve their country and of course, they were no longer involved in the candy making business.”
She also wrote this:
“We’re still under water where the farm is. It’s going to take a long time . . . but, we are hardy people and will probably just rebuild. . . . I’m going to be sharing them with Mom on Friday. I haven’t told her that I got them replaced. I know what this means to her.”
A little over a month after the flood, still under water. That made me think about a lot of different things. After considering how horrific it must be, how staggering to have such an event occur and how more common weather events of this historic proportion are becoming, I thought about how short our news cycle is. Perhaps it’s just because we are east-coasters, but we stopped hearing about midwest flood waters about a day or two after they first hit. Every big rain in April added to the disaster. Incredible.
But then, hearing about her plan to surprise her mom with the material Special Collections was able to provide, well, I was glad to have been able to help in a very small way. I’ve probably never felt so good about providing a patron with scans from our collections.
Oh yes, and she again mentioned the fruit cake fudge. If you make it, she says, you have to add some peach Schnapps to it! I’m guessing this is it:
Insane Asylums have been a part of horror movies and ghost stories for decades. From shows like American Horror Story to Shutter Island, there are many portrayals of what it was like to be treated for mental illness in the 1800-1900s. However, when it comes to the real story about old asylums, not all institutions were set up for jump scares.
The Western Lunatic Asylum was founded in 1825 by the Virginia State Government. It was the second mental health facility established in the Commonwealth and took patients that could not function in society but had hope of recovery. The first director of the hospital was Dr. Francis T. Stribling, who was also the first graduate of the University of Virginia Medical School. Stribling believed in humane treatment for those suffering from mental illness and applied the concept of “Moral Medicine” to his practice. Appointed in 1836, Stribling served as the director of the asylum until his death.
The Western Lunatic Asylum collection currently consists of an annual report from the asylum from 1903 and numerous letters written to Stribling between 1840 and 1868. This collection gives you an insight into what everyday life was like for the patients and family who were connected to this institution. It strips away all the haunted hallways and creaky doors and tells the stories of brothers, sisters, parents, and children whose loved ones are under Stribling’s care. It also gives you the chance to see into the mind of patients who were treated at the asylum when they write back to Stribling to discuss their condition.
The annual report (pictured above) introduces this collection perfectly. Situated in the first folder of 14, it acts as an exposition chapter, setting up the scene. While the report is from a few decades after Stribling’s death, it helps you understand how they ran an institution like this. Some of my favorite highlights of the report are the section titled Occupation, Recreation, and Amusements which talks about how they “divert the disordered minds of [their] patients again into normal channels” by alternating their schedules between jobs around the asylum and entertainment like weekly dances, concerts, and games. The statistical tables are also fascinating, detailing information about how many people were admitted, what they were admitted for, and how long it took to cure those who recovered.
As mentioned above, there are two main types of letters in the collection: The Families and The Patients.
The letters from families range from those appealing to the doctor to admit a new patient to those asking about the status of current patients (Above). Many of those with family members in the asylum also mention sending money or clothes. Letters from former patients are primarily written to Stribling to update him on their status after being released from the hospital. Some are thriving and thankful, but most seem to write the doctor when they are experiencing symptoms of relapse like the one pictured below.
There are also a few business letters like the one below that informs Stribling of a woman that had “been examined according to laws & found to be a fit subject for the Lunatic Asylum at Staunton.”
This collection really feels like a window into the past. After months of scanning and transcribing these letters, it feels living in a way, and that isn’t just because we find new letters to add every other month causing it to continuously grow. Each time a new one comes in it’s a privilege to be able to read them and add that person’s story to the rest of the collection.
The title of this occasional series may be something of a misnomer, as the materials discussed aren’t hidden at all but instead are readily located through existing online discovery tools. Still, though adequately described for retrieval, these items may remain hidden to interested users who overlook them because they’re housed in such unlikely locations.
Any manuscript repository of significant size or age is bound to have its share of outliers, collections that simply don’t fit into any of the repository’s primary focus areas but somehow find their way into the repository, through one route or another. With our collection focuses here in Special Collections at Virginia Tech being well known, researchers recognize us as a go-to resource for primary and secondary sources in several subject areas, including university history , women in architecture, the history of food and drink, local and regional history, and the Civil War in Virginia. The casual user, however, may be surprised to learn that a number of our collections don’t relate to any of these things. Many of these are legacy collections, materials that were acquired before the department narrowed its scope to a few well-defined focus areas.
And that explanation brings me today to write about an item that we simply call the Wyoming Photograph Album (Ms2017-026), which had been housed within the department for a number of years before recently being made more widely accessible through the creation of an online finding aid.
Measuring 11 x 12 inches and containing 75 photos, the album documents the journey of a group of unidentified men—most likely a surveying team—through central Wyoming around the turn of the 20th century. A photo on the first page of the album, bearing the stenciled title “A Trip Up the Sweetwater River,” explains the event commemorated by the collection.
On the pages that follow, the album’s anonymous creator has pasted photos that chronicle a journey that was deemed of sufficient personal significance to be memorialized.
The album’s first few pages include photos of several public buildings and private residences in Cheyenne. While Cheyenne isn’t on the Sweetwater River, the city was likely the departure point for the group’s journey. From Cheyenne, the group made its way north to Glendo, then westward to Casper, and eventually south to the Sweetwater, with a photographer documenting the landmarks of both the natural and built environments throughout the trip.
Included among the photos are images of ranches, livestock, dams, rock formations, rivers, and mountains. Together with these sights, the scrapbook records the surveyors at work and hints at the hazards of early travel across the plains of Wyoming.
Elsewhere, the scrapbook records the simple pleasures of camp life, as in the chow-time photo below, captioned “Camp Sweetwater.” The inclusion of a National Biscuit Company crate in this photo allows us to somewhat narrow the date of the photograph, as National Biscuit (today better known as Nabisco) was formed in 1898.
The team eventually made its way into Wyoming’s gold- and iron-mining region, and several photographs document the area’s mining enterprises and settlements. The level of clarity in some of these images is remarkable, and the photos provide a glimpse into early development in the area.
The scrapbook ends, as we may assume the journey also did, near the Wind River Mountains in western Wyoming. Unfortunately, the final photograph, captioned “A Remembrance of the Past” and which may have provided some clue as to the identity of the scrapbook’s creator, was removed.
At least one photograph in the album is attributed to C. C. Carlisle, and a little online digging led to information on a Charles C. Carlisle (born 1876). His biographical sketch in I. S. Bartlett’s History of Wyoming (1918) notes that Carlile, a civil engineer, worked in various capacities connected with waterworks and civil engineering during the first two decades of the 20th century. An article in the June 16, 1904 edition of the Wyoming Tribune mentions that a survey of the central part of the state being conducted by assistant state engineer Carlisle had measured the Sweetwater River at Devil’s Gate. It seems safe to conclude that this is the survey documented by the photo album. Further digging by an interested researcher might reveal whether Carlisle compiled the album.
Outlier collections sometimes contain outliers of their own. Tucked into the front of this album, consisting entirely of Wyoming scenes, is a photograph of a man on horseback at Gibson Park, Great Falls, Montana in 1899. The man is identified as Wallace Coburn.
Wallace David Coburn (1872-1954), a Great Falls rancher who gained national renown as a cowboy-poet through publication of his Rhymes from a Round-up Camp, later operated a movie theatre. The theatre serving as his springboard into the field of motion-picture entertainment, Coburn established his own film studio, Great West Film Company. Great West appears to have produced only one film “The Sunset Princess,” based on Coburn’s own poem, “Yellowstone Pete’s Only Daughter.” The would-be mogul later appeared in a few films produced by others, most notably the silent anti-German propaganda film, “The Kaiser, the Beast of Berlin.” Why Coburn’s photo appears in this album devoted to a survey of the Sweetwater River will likely remain unknown.
The Wyoming Photograph Album would of course be of interest to anybody researching irrigation and development along the Sweetwater River, early Cheyenne architecture, and the region’s mining history. (Astute researchers could undoubtedly make some connections that I haven’t even considered.) So while this stand-alone collection may seem a misfit of sorts housed here among our collections, its potential value to interested researchers makes it worth a little extra promotion on our part. The album can also serve as a reminder to researchers in other subject areas not to overlook far-flung resources when searching for relevant materials.